A festival, not a conference. Takes place over two weeks in May (May 18-29). We take the idea (but not literally) of “tents” as venues within a festival. There are many tents and each is curated around a certain theme. These tents have rolling events, sometimes gaps, sometimes gapless. Many events occur across all tents simultaneously. The tents relate to themes — Open Content, Open Source Software, and Open Publishing Models. There may also be a “main stage”.
All events are curated by thematic teams of people we trust. Each event is online. The festival website maintains the program of events. The central website is going to be very much like a festival programme, pointing to various events on each day you may wish to browse.
Open Content, Open Source Software, and Open Publishing Models are the themes of the Open Publishing Awards. We may also have a “main stage”.
Within this we will invite a number of trusted people collaboratively curate these threads. We have so far hooked initial interest from Dan Rudmann (Punctum Books), Christine Fruin (Atla), Chris Hartgerink (Liberate Science), and John Chodacki (FORCE11/California Digital Library) as well as a few others.
The content within these 3 themes will cover a lot of scholarly communications projects and materials but it won't be exclusively Schol Comms. We may want to specifically branch into several areas including the open publishing of blueprints for emergency COVID-19 hardware — and the issues around this eg https://safecast.org/2020/03/announcing-the-covid-19-testing-map/, https://www.cbc.ca/radio/asithappens/as-it-happens-thursday-edition-1.5502954/canadian-doctor-who-works-in-gaza-makes-3d-printed-face-shields-for-covid-19-1.5502964 as well as highlighting interesting publishing initiatives such as: https://coronavirustechhandbook.com/ and also the very interesting developments around publishers opening up their articles for covid-19 research: https://wellcome.ac.uk/press-release/publishers-make-coronavirus-covid-19-content-freely-available-and-reusable
Each event must take the form of one of the following:
In addition we will have an opening and closing event (format tbd).
We will place no requirements on streaming tech, folks can use whatever they like, we will place an emphasis on giving us the recordings immediately after so we can keep an archive online for all events in almost-realtime.
Stand up a Mattermost instance. Low-fi (techwise) but good looking WordPress site, easy to update.
We will not require live events to be co-ordinated with timezones or timeslots. People that are contributing can choose a time that suits them as long as it is scheduled on the site before the festival starts. The site will look after converting timezones in the listings for display.
Events to be augmented by performances.
Puppeteers such as Hannah Clarke and Jon Coddington: https://silotheatre.tumblr.com/post/167022898348/qa-puppet-master-jon-coddington, http://www.puppetfiction.net/who.html, https://www.georgefm.co.nz/home/music/2019/11/watch--fat-freddy-s-drop-return-as-marionettes-in-new-video-for-.html
Jenny Ritchie and Immogen Stone, aerialists: https://www.jennyritchie.com https://www.imogenstone.co.nz/projects.html
TimesUp and Foam: http://www.timesup.org/overview/works https://fo.am/
Social Events, Kids Events, Festival Radio… tbd
Coko will be in the background for this. We are the founding org but we want to promote everyone in this space even our “competition”. We did this very well with the Open Publishing Awards (https://openpublishingawards.org/) and we want to take the same strategy with this.
Coko will cover initial costs.
This event will not only bring a lot of attention to some amazing open publishing projects but also get people engaged and help with both the 'zoom fatigue' and stir craziness we are all feeling. The end result will be a fun festival you can browse (either synchronously or asynchronously via the archive), and drop in and out of as you have time / attention.
firstname.lastname@example.org or chat at https://mattermost.openpublishingfest.org